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Oxford American | "Sacred Place"

  • Oct 3, 2019
  • 1 min read

Updated: Apr 23, 2025

By Julian Rankin



In April 2019, seven southern explorers, myself included, journeyed to a desert island off the Mississippi coast. We crossed between realities. Through barriers of place and time. Following the ghost of an artist named Walter Inglis Anderson.

Night over the west end of Horn Island
Night over the west end of Horn Island

The island is named Horn Island. The product of hundreds of years of windblown sands. It treads water in the Gulf of Mexico. Twelve miles off shore from Anderson’s old stomping grounds of Ocean Springs, Mississippi. We planned to camp for six days. Spread out beneath the stars.


A record of the trip – in print and audio form – is now available fromThe Oxford American magazine.


Learn more about Walter Anderson's relationship to the island in the museum's reinstalled collection, Artist, Naturalist, Mystic.


“In this day of the machine age even a one-mile row is considered an incredible feat.”


– Walter Inglis Anderson, Horn Island Logs


The island won’t stay still. It breathes and moves, grain by grain westward with the prevailing winds, ever closer to the main nerve of the American imagination. It is also shrinking, caught between two dredged channels: one that withholds sand from its tail, the other that stares it in the face. Horn Island is an hourglass, a wise man once told me. It keeps its own time, and ours.

—JOURNAL ENTRY, APRIL 25, 2019






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