The reception will take place at the museum, refreshments and light fare will be available.
This exhibition will include many fan favorite works that are not shown often from our collection as well as many on loan from private collections.
We accompany a great many of the pieces with the stories of who collected them and how they came into our collection, as well as why the works themselves are particularly important.
This exhibition concentrates on themes of French life; flower markets, boulangeries (bakeries) landscapes, street scenes, and portraits. These themes of daily life in France have captured my imagination and interest for the past 35 years. Being an American living part-time in France, I'm inspired as many American artists in the past by the centuries old tradition and cultural diversity of this part of Europe. Beyond simply recording what I see, my approach is to internalize and "re-create" starting with a visual idea. This process of transforming reality in painterly terms of light, color temperature, and composition is the heart and soul of what is termed "The Creative Process.” External reality is considered a pretext to explore and express emotion using those universal principles which are so well illustrated in all the great schools of painting. Rubens, Velazquez, Rembrandt, Chardin, and the Impressionists were my early influences, as were Cézanne, Picasso and the American abstract expressionists. Abstraction is an essential element underlying all great works of art. Working mainly in oil on canvas and using the techniques of the old masters in addition to the color discoveries of the impressionist, my goal is to create a luminous three-dimensional space where the characters both literal and abstract interact, articulate, and harmonize. My "poetic Realism" style is a result of a conscious constructive approach. The drawings in this exhibition represent a cross section of different subjects, landscapes of France, Holland, The Gulf Coast, as well as portrait studies and some early etchings. Drawing, the basis for all the plastic arts, painting, sculpture etc. occupied the first eight years of my formation at the Art Students League in New York City. My method of drawing is based upon a lengthy study of the great master draftsman in terms of their techniques but more importantly in terms of the Renaissance principles of perspective, anatomy, light and shade, and design.