The Walter O. Evans Collection of African-American Art
August 15 - October 25, 1998
"#2 Mask" c. 1940 (Copper)
By Sargent Johnson
The Walter Anderson Museum of Art (WAMA) is pleased to announce the opening of the Walter O. Evans Collection of African-American Art on August 15, 1998. The Collection is one of the worlds finest privately owned collections of its kind and numbers over 1000 pieces, eighty-three of which will be on display through October 25, 1998 at WAMA. Paintings, sculptures, and photographs by some of the most important nineteenth and twentieth century African-American artists chronicle the development of art in the U.S. This exhibition will present many of these pivotal artists to Mississippi audiences for the first time. Chevron Pascagoula Refinery and Merchants & Marine Bank are the Exhibition Sponsors.
Dr. Walter O. Evans of Detroit, Michigan began collecting seriously in the mid-1970s. As a young physician, he had definite criteria in mind. "I decided that every piece of art I would buy henceforth, would have a black person in it. That was in the beginning," he explains. "What moved me was that in all my visits to the museums of the world, I almost never saw any art by African-Americans. If there were any, they didnt have any black figures in
the paintings."
From that early decision grew a broader consensus on acquiring work for the Collection. "I have evolved from the period where I had to see a black image in the work," says Evans. "I was being very narrow-minded. Most of the black artists of the nineteenth century painted in the tradition of the mainstream. Landscape painting was reflective of Americas expansion and the artists reverence of nature. This period is now a central part of what I collect. It was part of my growing up."
Evans is now considered one of the most accomplished collectors of fine art in America. He has traveled the country, the Caribbean and many countries abroad in his quest for important works. In addition to collecting, he is also a world-class bibliophile, specializing in the written works of African-Americans.
Dr. Evans believes that a peoples culture can be seen by looking at the art it generates. By keenly observing this work we can discern not only the historical realities, but the subtle nuances of daily life. The Evans Collection urges us to discover new ways of seeing and thinking about work by African-Americans.

"The Magic Garden" c. 1978
(Collage on board)
By Romare Bearden
"Head of a Dancer" c. 1937
(Bronze)
By Richmond Barthe'

"Genesis Creation #3" c. 1989
(gouache on paper)
By Jacob Lawrence
"The Blues Has Got Me" c.1944
(Watercolor on paper)
By Romare Bearden

"Frederick Douglass" c.1940
(pencil on paper)
by Charles White
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